Scofflaw is a long poem, a playful exploration of Indigenous-Settler relations amid globalized pressures. For the most part, the poem is a lyrical dialectic flowing between a shadowy figure known as Scofflaw and an enigmatic "we." The content ranges from the effect of pesticides on Manitoba butterflies to the reworking of a John Newlove poem on Indigenous peoples to Native remains beneath the Canadian Museum for Human Rights. The text culminates in a "lexicon standoff," where Scofflaw uses metaphysical means to avoid a character assassination, battling against the culling of words from the language.
About this Author
Garry Thomas Morse is a two-time nominee for the Governor General's Award for his poetry collections, Discovery Passages and Prairie Harbour, and a two-time nominee for the ReLit Award for his speculative fiction novels, Minor Episodes/Major Ruckus and Rogue Cells/Carbon Harbour. His most recent title is a novel, Yams Do Not Exist. Morse has served as the 2018 Jack McClelland Writer-in-Residence at the University of Toronto, and as the 2019 Carol Shields Writer-in-Residence at the University of Winnipeg.
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