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Lose yourself inside its innards.
A group of climate scientists working in a remote base camp on the Australian outback discover an impossible landform. Led by botanist Hildur Johansson, the team sets out to conduct a routine exploratory mission to map the terrain, record their observations, and try to understand this anomalous landscape.
They arrive expecting the unexpected, and the Unbeing delivers. The expedition discovers a massive, entirely novel, giant holobiont that threatens to upend everything they understand about the natural world. Propelled by hubris and the intoxicating charm of forbidden knowledge, the research team descends into a hostile alien environment allowed to thrive without human interference. The beautiful yet unforgiving landscape hosts strange flora, gorgeous fauna and dangerous predators lurking in the darkness. As the team pushes deeper, can they survive long enough to find what they're looking for?
Into the Unbeing is an adventure into the sublime from the critically acclaimed writer Zac Thompson (Cemetery Kids Don't Die, Blow Away) and visionary artist Hayden Sherman (Dark Spaces: Dungeon, Wasted Space).
About this Author
Zac Thompson cut his teeth at Marvel working on titles such as X-men, Cable, and Yondu. In the past few years, he has moved on to creating some of the most exciting horror titles published outside Dark Horse including I Breathed a Body, Lonely Receiver, and No One's Rose among others.
Hayden Sherman has worked on several licensed books including Halo, John Carter: The End, and Batman. They have co-created a handful of independent titles such as The Few, Cold War, Thumbs, Above Snakes and Wasted Space.
Reviews
"Frankly, it's a good thing this is "Part One" because I'd read 100 issues of this book if I could. Into The Unbeing: Part One is one of the most unique and terrifying horror comics of this century."--AIPT
"One of the most striking aspects of Sherman's work is how it conveys emotion. Through the use of lighting, shadows, and the characters' body language, he brings to life the fear and tension that Thompson's script hints at. The panel layouts are dynamic and creative, guiding the reader through the story in a way that feels natural yet disorienting--perfectly fitting for a narrative that thrives on the bizarre and the unknown."--The Geekly Grind
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