From the author of But What If We're Wrong comes an insightful, funny reckoning with a pivotal decade
It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. Landlines fell to cell phones, the internet exploded, and pop culture accelerated without the aid of technology that remembered everything. It was the last era with a real mainstream to either identify with or oppose. The '90s brought about a revolution in the human condition, and a shift in consciousness, that we're still struggling to understand. Happily, Chuck Klosterman is more than up to the job.
In The Nineties, Klosterman dissects the film, the music, the sports, the TV, the pre-9/11 politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan, and (almost) everything else. The result is a multidimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
About this Author
Chuck Klosterman is the bestselling author of nine nonfiction books (including The Nineties; Sex, Drugs, and Cocoa Puffs; and But What If We're Wrong?; and Killing Yourself to Live), two novels (Downtown Owl and The Visible Man), and the short story collection Raised in Captivity. He has written for The New York Times, The Washington Post, GQ, Esquire, Spin, The Guardian (London), The Believer, and ESPN. Klosterman served as the Ethicist for The New York Times Magazine for three years, and was an original founder of the website Grantland with Bill Simmons. He was raised in North Dakota and now lives in Portland, Oregon.
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